作品圖片 觀音吐霧 (點擊將開啟燈箱)
觀音吐霧 Guanyin Mountain was Hidden in the Mist
作者 謝牧岐 Author HSIEH Mu-Chi
媒材 壓克力 Medium Acrylic Painting
借展單位 國立臺灣美術館 藝術銀行 Lender Taiwan Art Bank
年份 2016 Year 2016
尺寸 64.5 x 53.7 x 6.5 cm Size 64.5 x 53.7 x 6.5 cm
作品賞析 Artwork Appreciation
藝術家謝牧岐的創作，關注詮釋的方式，經常透過不同生產方式與場域，介入繪畫創作的過程，討論創作者的身份問題，並創造與繪畫的關係與連結。作品〈觀音吐霧〉中，觀音山與謝牧岐有著地緣上的關係，同時也是許多臺灣前輩藝術家風景寫生經常取景的地點。畫面中的觀音山，以色彩隨機移動的軌跡，以及大量摩擦的痕跡呈現，成為不同畫家眼中的不同風景。謝牧岐以繪畫連結臺灣近代美術的發展片段，形塑不同時代的對照，給人無限懷想。
HSIEH Mu-Chi’s works focus on interpretation. He often employs different methods and genres to create works that discuss the creator’s identity while building links between the creative process and the painting itself. Guanyin Mountain is geographically related to the artist and serves as the location used by many senior artists in Taiwan, as the vista offers plenty of materials for landscape studies. In the work titled Guanyin Mountain was Hidden in the Mist, the Mountain is depicted using trails of randomly moving colors and ample rubbing, generating different landscapes in the eyes of different artists. HSIEH Mu-Chi uses this work as a bridge to connect the history of contemporary art development in Taiwan, creating a contrast of different eras that offers plenty of room for imagination.