
作者 饒祗豪 Author Yow, Chee-Hoe
年份 2019 Year 2019
媒材 油墨、BFK版畫紙 Medium Oil-based ink on BFK paper
尺寸 42×42 cm Size 42×42 cm
作品主要以木刻版畫之單版複刻技法呈現「家」、「身份」、「童玩」等議題,透過畫面上油墨重覆堆疊的表現,形成另一種跟觀眾對話的語言。
This work uses a single-block woodcut printing technique to explore themes of home, identity, and childhood play. Through the repeated layering of oil-based ink, it creates a unique visual language that engages in dialogue with the viewer.
作者 饒祗豪 Author Yow, Chee-Hoe
年份 2019 Year 2019
媒材 油墨、BFK版畫紙 Medium Oil-based ink on BFK paper
尺寸 42×42 cm Size 42×42 cm
作品主要以木刻版畫之單版複刻技法呈現「家」、「身份」、「童玩」等議題,透過畫面上油墨重覆堆疊的表現,形成另一種跟觀眾對話的語言。
This work uses a single-block woodcut printing technique to explore themes of home, identity, and childhood play. Through the repeated layering of oil-based ink, it creates a unique visual language that engages in dialogue with the viewer.
作者 饒祗豪 Author Yow, Chee-Hoe
年份 2019 Year 2019
媒材 油墨、BFK版畫紙 Medium Oil-based ink on BFK paper
尺寸 42×42 cm Size 42×42 cm
作品主要以木刻版畫之單版複刻技法呈現「家」、「身份」、「童玩」等議題,透過畫面上油墨重覆堆疊的表現,形成另一種跟觀眾對話的語言。
This work uses a single-block woodcut printing technique to explore themes of home, identity, and childhood play. Through the repeated layering of oil-based ink, it creates a unique visual language that engages in dialogue with the viewer.