作者 吳奕蓁 Author WU Yi-Jhen
年份 2023 Year 2023
媒材 壓克力板、3D列印PLA、木條 Medium Acrylic sheet, 3D-printed PLA, wooden strips
尺寸 58.7 × 44.8 × 5.5 cm(1件),3件組 Size 58.7 × 44.8 × 5.5 cm (each), set of 3
摩爾紋,拍攝時若物體有線條或網格的肌理,在螢幕顯示時偶爾會出現的波紋。我注意到影像出現了與影像內容物相似造型的摩爾紋:閃光形狀的貼紙與閃光形狀的摩爾紋,形成令我感興趣的圖像。我把變動的摩爾紋以截圖的方式固定,將之視為影像素材,裁切、分層製作為作品。
這螢幕與影像產生的紋理,在注意到的瞬間,將我帶出回味過去的狀態中,也讓我想到曾經拍攝的照片可以如何脫離再現過去的角色。於日常隨手記錄的城市影像,成為了在數位介面跳動的閃光,在流動的軌跡中閃爍出新的形象與意涵。
Moiré patterns are the ripples that occasionally appear on screens when photographing objects with linear or grid-like textures. I noticed the image generating moiré patterns that echoed the shapes of its contents: spark-shaped stickers alongside spark-shaped moiré patterns, creating a visually intriguing composition. I fixed these shifting patterns via screenshots, treating them as visual material to be cropped and layered into the artwork.
The instant I noticed these textures—generated by the screen and the image—they pulled me out of a state of reminiscing about the past. They prompted me to reflect on how past photographs can break free from simply representing what once was. Urban images, casually captured in daily life, transform into pulsating sparks on a digital interface, flickering with new forms and meanings along their flowing trajectories.