作者 林佳諭 Author Lin Jia-yu
媒材 紙本,膠彩 Medium Eastern Gouache、Paper
尺寸 91 × 116.5 cm Size 91 × 116.5 cm
現階段的創作中,開始不斷的探討「簡」與「減」的過程與定義。為何而減?為何成簡?如何成簡?古人畫圖論淡泊求空靈,逸筆草草、忘形求真意;而當代藝術家以簡約幾何化的手法來表現最單純美的形式,簡化的形成如同經過層層減去,只保留最精華、核心的結果,而如何做到不會過分空洞與單調,且能最大程度展現其核心價值,刪減程度的拿捏始終是藝術家們一直在摸索與探討的課題,本作乃為博士班之研究目標之初步探討及體認,通過之前所學之知識及所習之技巧,作品因刪減的過程而製造出畫面一定程度的「破壞」所形成的「缺陷美」也是我在研究中追求的事物,希望從本作品的創作過程中更能體悟到藝術的本質與創作的意義,更從中了解自身的核心價值。
In my current artistic exploration, I am delving into the themes of "simplicity" and "reduction." Why reduce? Why become simple? How to achieve simplicity? Artists in ancient times pursued tranquility and spirituality in their work, often employing a minimalist approach to distill profound meanings. Contemporary artists, meanwhile, often utilize geometric simplicity to convey pure, aesthetic beauty. The act of simplification involves peeling back layers to uncover core truths, a process that requires a careful balance to avoid being overly hollow or monotonous, instead aiming to highlight intrinsic value.
This piece represents an initial exploration and inquiry of my doctoral research. By applying the theories and methods I've acquired, I am examining how reduction can give rise to a "beauty in imperfection" achieved through the intentional "destruction" of the image. Through this process, I seek to deepen my understanding of the essence of art and the significance of creation and to further clarify my own fundamental values.