作者 黃冠鈞 Author HUANG Kuan-Chun
年份 2025 Year 2025
媒材 壓克力墨水與壓克力媒介劑 Medium Acrylic ink, Acrylic Mediums
尺寸 16.2 x 16.2 x 5 cm (三件) Size 16.2 x 16.2 x 5 cm
作品以未經調和的藍與黃隨機點染,色塊交錯重疊,與大片留白形成鮮明對比,營造出一種清澈明亮的視覺節奏。如同雨後天晴,光線斜斜灑落,與地面水窪交互映照出自然最原初的色彩印象。
The artwork applies unmixed blue and yellow dots in a random arrangement. Overlapping color fields emerge amid wide areas of blank space, creating a crisp and luminous visual rhythm. The effect recalls sunlight striking a clear sky after rain—light bouncing off puddles to reveal nature’s most primal colors.
作者 黃冠鈞 Author HUANG Kuan-Chun
年份 2025 Year 2025
媒材 壓克力墨水與壓克力媒介劑 Medium Acrylic ink, Acrylic Mediums
尺寸 16.2 x 16.2 x 5 cm (三件) Size 16.2 x 16.2 x 5 cm
作品以未經調和的藍與黃隨機點染,色塊交錯重疊,與大片留白形成鮮明對比,營造出一種清澈明亮的視覺節奏。如同雨後天晴,光線斜斜灑落,與地面水窪交互映照出自然最原初的色彩印象。
The artwork applies unmixed blue and yellow dots in a random arrangement. Overlapping color fields emerge amid wide areas of blank space, creating a crisp and luminous visual rhythm. The effect recalls sunlight striking a clear sky after rain—light bouncing off puddles to reveal nature’s most primal colors.
作者 黃冠鈞 Author HUANG Kuan-Chun
年份 2025 Year 2025
媒材 壓克力墨水與壓克力媒介劑 Medium Acrylic ink, Acrylic Mediums
尺寸 16.2 x 16.2 x 5 cm (三件) Size 16.2 x 16.2 x 5 cm
作品以未經調和的藍與黃隨機點染,色塊交錯重疊,與大片留白形成鮮明對比,營造出一種清澈明亮的視覺節奏。如同雨後天晴,光線斜斜灑落,與地面水窪交互映照出自然最原初的色彩印象。
The artwork applies unmixed blue and yellow dots in a random arrangement. Overlapping color fields emerge amid wide areas of blank space, creating a crisp and luminous visual rhythm. The effect recalls sunlight striking a clear sky after rain—light bouncing off puddles to reveal nature’s most primal colors.