作者 黃法誠 Author HUANG Fa-Cheng
年份 2022 Year 2022
媒材 壓克力顏料、墨 Medium Acrylic, ink
尺寸 45.5 × 53 cm,15片 Size 45.5 × 53 cm, 15 pieces
疫情後的世界,就像重組過後,彷彿拆開後又被黏合再一起,總是和之前有些不同。
場景來自於我對公園或廟宇常見的人工景觀(放生)池的想像。這類的景觀池大多都是類似的形式,有著類似中國庭園式的假山造景,模擬著一個縮小的理想式的風景,也是一種擬像。這樣的擬像越虛假的同時卻也越真實的指向了我們生活的自然。
The post-pandemic world feels reassembled, as if taken apart and glued back together—always slightly different from before.
The scene comes from my imagination of artificial landscape or release ponds often found in parks and temples. These ponds usually follow a similar form, with Chinese garden-style rockeries that imitate a small, idealized landscape. As a kind of simulacrum, the more artificial it appears, the more directly it points to the nature within our everyday lives.